Taj Mahal

History of Taj Mahal The Taj Mahal of Agra is one of the Seven Wonders of the World, for reasons more than just looking magnificent. It's the history of Taj Mahal that adds a soul to its magnificence: a soul that is filled with love, loss, remorse, and love again. Because if it was not for love, the world would have been robbed of a fine example upon which people base their relationships. An example of how deeply a man loved his wife, that even after she remained but a memory, he made sure that this memory would never fade away. This man was the Mughal Emperor Shah Jahan, who was head-over-heels in love with Mumtaz Mahal, his dear wife. She was a Muslim Persian princess (her name Arjumand Banu Begum before marriage) and he was the son of the Mughal Emperor Jehangir and grandson of Akbar the Great. It was at the age of 14 that he met Mumtaz and fell in love with her. Five years later in the year 1612, they got married.

Mumtaz Mahal, an inseparable companion of Shah Jahan, died in 1631, while giving birth to their 14th child. It was in the memory of his beloved wife that Shah Jahan built a magnificent monument as a tribute to her, which we today know as the "Taj Mahal". The construction of Taj Mahal started in the year 1631. Masons, stonecutters, inlayers, carvers, painters, calligraphers, dome-builders and other artisans were requisitioned from the whole of the empire and also from Central Asia and Iran, and it took approximately 22 years to build what we see today. An epitome of love, it made use of the services of 22,000 laborers and 1,000 elephants. The monument was built entirely out of white marble, which was brought in from all over India and central Asia. After an expenditure of approximately 32 million rupees (approx US $68000), Taj Mahal was finally completed in the year 1653. It was soon after the completion of Taj Mahal that Shah Jahan was deposed by his own son Aurangzeb and was put under house arrest at nearby Agra Fort. Shah Jahan, himself also, lies entombed in this mausoleum along with his wife. Moving further down the history, it was at the end of the 19th century that British Viceroy Lord Curzon ordered a sweeping restoration project, which was completed in 1908, as a measure to restore what was lost during the Indian rebellion of 1857: Taj being blemished by British soldiers and government officials who also deprived the monument of its immaculate beauty by chiseling out precious stones and lapis lazuli from its walls. Also, the British style lawns that we see today adding on to the beauty of Taj were remodeled around the same time. Despite prevailing controversies, past and present threats from Indo-Pak war and environmental pollution, this epitome of love continuous to shine and attract people from all over the world. Taj Mahal Architecture Involvement of 22, 000 workers including masons, stonecutters, inlayers, carvers, painters, calligraphers, dome-builders and other artisans called on from all over the central Asia and Iran, and some 22 years later when a monument with a unique blend of Persian, Islamic, and Indian architectural styles came into its own, it was a sight to behold! The grandeur of the structure then created was such that even decades after its creation, it is still regarded as one of the most arresting and attention-grabbing manmade monuments of the world. Not just Taj, even structures alongside it add to the architectural beauty and artistic wonder of the place. The entire Taj complex consists of five major constituents, namely Darwaza (main gateway), Bageecha (gardens), Masjid (mosque), Naqqar Khana (rest house) and Rauza (main mausoleum). The Taj Mahal covers an area of 42 acres in total with the terrain gradually sloping from south to north, towards the river Yamuna in the form of descending terraces. The main gateway situated at the end of the long watercourse, decorated in calligraphy with verses from Holy Quran and a domed central chamber, was constructed from the period 1932 to 1938. The original door of this massive sandstone gateway was made out of solid silver. It was constructed to serve the function of preventing the people from getting any glimpse of the tomb until they are right in the doorway itself. With a vertical symmetry, the main gateway of Taj Mahal stands bordered with Arabic calligraphy of verses from the Quran, made up of black stone. The main tomb of Taj Mahal stands on a square platform that was raised 50 meter above the riverbank and was leveled with dirt to reduce seepage from the river. The four minarets on each corner of this square are detached, facing the chamfered angles of the main and are deliberately kept at 137 feet to emphasize the beautiful and spherical dome that itself is 58 feet in diameter and 81 feet high. The western side of the main tomb has the mosque and on the eastern side is the Naqqar Khana (rest/guest house), both made in red sandstone. The two structures not only provide an architectural symmetry, but also make for an aesthetic color contrast. One can only marvel at the mosque and the rest house as despite being on the opposite ends, the two are mirror image of each other. Out of the total area of 580 meter by 300 meter, the garden alone covers 300 meter by 300 meter. The immaculate symmetry with which this garden has been laid out can be experienced everywhere. The Islamic style architecture of this garden also has a well defined meaning that symbolizes spirituality and according to the Holy Quran, the lush green, well watered is a symbol of Paradise in Islam. The raised pathways divide each of the four quarters into 16 flowerbeds with around 400 plants in each bed. Even today, the garden boasts of being a tranquil and soothing region in the entire complex and is considered best place for taking snaps of the main tomb. A shadowy burial crypt inside the Taj Mahal houses the tombs of Mumtaz Mahal and Shah Jahan himself, who was buried there after he died. Above these tombs is the main chamber that has the false tombs and perforated marble screens have been used to transmit light into the burial chamber, typical of mausoleums of the Mughals. Semi-precious stones are exquisitely inlaid in both the tombs. Calligraphic inscriptions of the ninety nine names of Allah can also be found on the sides of actual tomb of Mumtaz Mahal. The Taj has some wonderful specimens of polychrome inlay art both in the interior and exterior on the dados, on cenotaphs and on the marble jhajjhari (jali-screen) around them. Shah Jahan's tomb, which lies next to that of Mumtaz Mahal, was never planned and deranges the otherwise perfect symmetry of the Taj.